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SAIT
Society for the study of Arts, Images and texts
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Writings on Art – 1
Writings on Art – 2
Color…
Untimely Art
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Riddles of Form…
Gold in/and Art
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Impression(s): 1880-1920
« Intense immobility »: The Poetics and Aesthetics of the Moment
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Polysèmes
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Polysèmes n°1 | L’Écart
Polysèmes n°2 | Miroirs
Polysèmes n°3 | Lieux-dits
Polysèmes n°4 | Le Tableau
Polysèmes n°5 | Blancs
Polysèmes n°6 | Passages
Polysèmes n°7 | Figures of Violence
Polysèmes n°8 | Textualities
Polysèmes n°9 | The Descriptive
Polysèmes n°10 | Detours
Polysèmes n°11 | Frames
Polysèmes n°12 | Transpositions
Polysèmes n°13 | Transparence
Polysèmes n°14| Color: Between Silence and Eloquence
Polysèmes n°15 | Gold in/and Art
Polysèmes n°16 | Crossings
Polysèmes n°17 | Untimely Art – Time’s Excesses
Polysèmes n°18 | Intense Immobility
Polysèmes n°19 | Photography and Trauma
Polysèmes n°20 | Echoes of Echo
Polysèmes n°21 | (Re)construction(s)
Polysèmes n°22 | Landscapes/Cityscapes
Polysèmes n°23 | Contemporary Victoriana/Women and Parody
Polysèmes n°24 | Exception
Polysèmes n°25 | Revisited Places
Polysèmes n°26 | In Memoriam Hubert Teyssandier
Polysèmes n°27 | Ian McEwan and the Visual
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Transmissions
, 62nd SAES symposium (University Rennes 2, 1-3 June 2023)